As 2009 expires, Weird Fiction exhumes a curious collection of GIF animation, curating items conjured up from a year’s worth of trolling in the deep dark dungeons of the internets.
This alongside an emergent compendium of collateral texts, GIF speciation theories and other missives propagated by the (((WFT))) policy institute; who, in an effort to advance their own “ficto-quizzical” mythologies, will facilitate the hoarding of materials on a dedicated electronic storehouse (weird-fiction.net/gifeconomy)
At once an instantiation of the “gift economy” and a call to action within the economy of expression roused by the humble parameters of the Graphic Interchange Format. (in)Appropriated material, both solicited and scavenged, will be intermingled within this labyrinthine technocultural milieu.
Denizens of the World Wide Web are implored to reanimate dead media and revive retrograde knowledge structures; deploying anomalous information and thereby accelerating GIF speciation. The GIF is your passport to the immortal realms of mythology mash-ups and off-modern memes. Remember: overexposure to cine-molecular glitch scapes (GIF animations and their kin) may lead to as of yet unknown climes of panopticonscious surrender.
NOW through December 18th–Send your GIFs to: weirdfictiongifs@gmail.com
To be deployed live starting December 3rd online and at on site at Tractor gallery in Portland
the following Memetic prompts and file name suggestions culled from existing Weird Fiction mythos, may be used to guide your GIF speciation efforts:
-Ficto-Quizzical
-Obliterati
-Cine-Molecule
-Second-Wave Vampling
-Lorkurer
-Glitchcraft
-Derelict Theory Objects
-Temporary Autonomous Clone
-Obliteratarium
-Panopticonscientious Objector
-Majestic 12
-Polterzeitgeist
Additional prompts will be transmitted to the fleshy minds of mammals by way of twitter.com/cthulhucalling



On track of the unknown neologism. Looking for leads on the ficto-quizzical, origins of this species, possibility spaces and the like.
In the forseable future, the 
In the 19th c., proto-noir was more or less identifiable in the mode of gloom–the intrinsically murky. It was when Claude Chappe’s
frequent collisions with fogginess and subsequent bouts of interference. Organized crimes would soon follow.
As Quagczar’s very hideous existence reminds us daily, there are marshlands amidst this info-dimensional vortex, too. Embrace the murk, friends. You can carry a gun and a rope to scare off snakes and avoid quicksand if you please, but marvel at the info-marsh before it dries up!